Love me some Buster Keaton.
But I wonder what he'd think about Chris freakin' O'Donnell basically making a really bad re-make of "Seven Chances."
I think it's funny (or tragic) that somehow Keaton and Co. -- 74 years prior -- made a far superior film than O'Donnell and Co. could in 1999.
Plus, how could filmmakers in 1925 could find a handful of women who were 100 percent more attractive than Renee Zellweger? It's amazing.
I do, also, enjoy subtle racism. Goooooooooooooooo racism!
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