
Pier Paolo Pasolini quite literally filmed it as Matthew wrote it. He called John too mysitcal. Mark was vulgar. Luke was too sentimental. A strange attribute for a doctor.
It's a reverent film when there are many opportunities to not be reverent or to be artsy or to prove a point.
Pasolini could've done this easily. He had every reason. He was a homosexual athiest. Plus, he was a figure in Italian cinema's neorealism with Rossellini and Fellini.
Artsy gay athiest don't typically retell Bible stories with the same reverence. Pasolini did and I respect the hell out of him.
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